IemotoThis is a featured page

Sen No Rikyu, founder of the three main schools of Japanese tea ceremony. Painting by Hasegawa Tohaku.

Iemoto (家元) is a Japanese term meaning "founder" or "grand master." It is used to describe both people and a system of familial generations in traditional Japanese arts such as tea ceremony, ikebana, noh, calligraphy, traditional Japanese dance, martial arts, shogi and Go. The iemoto system is characterized by a hierarchical structure and the supreme authority of the iemoto.
Though there may be more than one master, the iemoto is the chief of a line of grand masters, and the most senior representative and teacher of a given school. An iemoto may be addressed by the title Iemoto or O-iemoto, or by the title Ō-sensei (大先生). The iemoto's main roles are to lead the school and protect its traditions, to be the final authority on matters concerning the school, to issue or approve licenses and certificates and, in some cases, to instruct the most advanced practitioners.
The title of iemoto is hereditary. It is transmitted by direct line, or by adoption. There can only be one iemoto at a time, which sometimes leads to the creation of new "houses" or "lines." By tradition, the title of iemoto is passed down along with a hereditary name. In the Urasenke tradition of tea ceremony, for example, the iemoto is usually named Sōshitsu.
The title of iemoto comes with great authority. Thus, to teach one of Japanese traditional arts it is obligatory to obtain a licence from an iemoto, and the iemoto is the only one who can provide or authorise this licence. Students must also acquire licenses or certificates at various stages in their study. Depending on the school, such certificates either give the student permission to study at a particular level or affirm that the student has achieved a given level of mastery. Recipients must pay for these certificates which, at the highest level, may cost several million yen. It is also the iemoto who authorises, selects and bestows ceremonial names for advanced practitioners.

Etymology

The word "iemoto," literally "house-origin," originated in the Heian period (794-1185), but came into common use in the Edo period (1603-1868), often in reference to a principal family line with authority over commercial guilds.
The concept of the "Iemoto System" (家元制度) was explicated by the historian Matsunosuke Nishiyama in the post-war period to describe the social structures associated with exclusive family control and networks of instructors, a characteristic of the feudal era whose influence on traditional arts is still felt today.

Famous Families And Schools

Go

There were originally four main schools of Go: Hon'inbō, Hayashi, Inoue and Yasui; and three minor schools: Sakaguchi, Hattori and Mizutani.
Early in the 17th century, the then best player in Japan, Hon'inbo Sansa, was made head of a newly founded Go academy (the Hon'inbo school 本因坊), which developed the level of playing greatly, and introduced the martial arts style system of ranking players. The government discontinued its support for the Go academies in 1868 as a result of the fall of the Tokugawa shogunate.
In honour of the Hon'inbō school, whose players consistently dominated the other schools during their history, one of the most prestigious Japanese Go championships is called the "Honinbo" tournament.

Heads of the Hon'inbo school

GenerationPersonal nameDates
1st
Honinbo Sansa 算砂
1612-1623
2nd
Honinbo San'etsu 算悦
1630-1658
3rd
Honinbo Doetsu 道悦
1658-1677
4th
Honinbo Dosaku 道策
1677-1702
5th
Honinbo Dochi 道知
1702-1727
6th
Honinbo Chihaku 知伯
1727-1733
7th
Honinbo Shuhaku 秀伯
1733-1741
8th
Honinbo Hakugen 伯元
1741-1754
9th
Honinbo Satsugen 察元
1754-1788
10th
Honinbo Retsugen 烈元
1788-1808
11th
Honinbo Genjo 元丈
1809-1827
12th
Honinbo Jowa 丈和
1827-1839
13th
Honinbo Josaku 丈策
1839-1847
14th
Honinbo Shuwa 秀和
1847-1873
15th
Honinbo Shuetsu 秀悦
1873-1879
16th
Honinbo Shugen 秀元
1879-1884
17th
Honinbo Shuei 秀栄
1884-1886
18th
Honinbo Shoha 秀甫
1838-1886
19th
Honinbo Shuei 秀栄
1887-1907
20th
Honinbo Shugen 秀元
1907-1908
21st
Honinbo Shusai 秀哉
1908-1940


Ikebana

The three main schools of flower arrangement, known in Japanese as ikebana, are ikenobo, ohara and sogetsu.

Tea Ceremony

The three main schools of Japanese Tea Ceremony, Omotesenke, Urasenke and Mushanokojisenke are known collectively as the "Sansenke." They are all descended from 16th-century tea master Sen No Rikyu.

Heads of the Urasenke school

GenerationPersonal nameTea name
1st
Rikyu Soeki (1522-91)
利休 宗易
Hōsensai
抛筌斎
2nd
Shōan Sōjun (1546-1614)
少庵 宗淳


3rd
Genpaku Sōtan (1578-1658)
元伯 宗旦

咄々斎
4th
Sensō Sōshitsu (1622-97)
仙叟 宗室
Hororisai
朧月斎
5th
Jōsō Sōshitsu (1673-1704)
常叟 宗室
Fukyūsai
不休斎
6th
Taisō Sōshitsu (1694-1726)
泰叟 宗室
Rikkansai
六閑斎
7th
Chikusō Sōshitsu (1709-33)
竺叟 宗室
Saisaisai
最々斎
8th
Ittō Sōshitsu (1719-71)
一燈 宗室
Yūgensai
又玄斎
9th
Sekiō Sōshitsu (1746-1801)
石翁 宗室
Fukensai
不見斎
10th
Hakusō Sōshitsu (1770-1826)
柏叟 宗室
Nintokusai
認得斎
11th
Seichū Sōshitsu (1810-77)
精中 宗室
Gengensai
玄々斎
12th
Jikishō Sōshitsu (1852-1917)
直叟 宗室
Yumyōsai
又玅斎
13th
Tetchū Sōshitsu (1872-1924)
鉄中 宗室
Ennōsai
圓能斎
14th
Sekisō Sōshitsu (1893-1964)
直叟 宗室
Tantansai (AKA: Mugensai)
淡々斎 (無限斎)
15th (current grand master)
Hōsō Sōshitsu XV (Sen Genshitsu) (b.April 19, 1923)
汎叟 宗室
Hōunsai
鵬雲斎
16th (current iemoto)
Sen (Genmoku) Sōshitsu XVI (b. June 7, 1956)
玄黙 宗室
Zabōsai
坐忘斎


Criticism Of And Resistance To The Iemoto System

The iemoto system has been described as rigid, expensive, nepotistic, authoritarian and undemocratic. Some groups have chosen to reject the iemoto system. Hiroaki Kikuoka, a shamisen player, created a presidential system for his group, while koto player Michiyo Yagi has rejected both the iemoto system and the traditional style of her instrument, choosing to strike chords.


Tagasaki
Tagasaki
Latest page update: made by Tagasaki , Nov 15 2006, 11:07 AM EST (about this update About This Update Tagasaki Edited by Tagasaki

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